Syllabus                  
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Center Stage Studio maintains, as do all professional dance schools, a syllabus that has been followed by generations of dancers and designed by professionals in the dance world.  Due to the importance of the teacher or qualified staff to place your child in the best dance class for their ability, please call us at 951-736-9866 to get the current class times available.

The Creative Dance, Pre and Primary classes are designed to introduce young children to the joys of movement by exploring and expanding their movement range in an uplifting and joyful atmosphere. It is an enjoyable program that develops the child's self-esteem. Building coordination, strength, flexibility, and balance in combination with musical exercises are some of the primary objectives of the class.

The Ballet curriculum is based on a graded syllabus. Placement is determined by the teacher upon evaluation of the student's progress and development according to ballet technique achievement. Each class level progresses through a carefully constructed syllabus for a steady technical and artistic development of the student. To ensure this progress, a minimum number of classes per week is required for each level. Progress is dependent upon regular and consistent participation. Students are encouraged to continue their dance studies year round, especially if they aspire to advance to pointe work.

Jazz, Tap and other forms of dance also follow a curriculum. Placement is determined by the teacher upon evaluation of the student's progress. Each class has a set of required steps that need to be mastered before moving to the next level. Jazz and tap classes do not have as many levels as ballet since the class syllabus is built on the assumption students will complete two years before they are considered for the next level.

Each level is divided into three sections:

a. Technique

In the Pre, Primary & Beginning levels, emphasis is on correct stance, body control and the coordinated use of the head, body and arms to gain a good sense of line. Dance movements are based on natural movements of the body, eg. walking, running, skipping and jumping. The student is introduced to the French ballet terms.

At intermediate and advance levels, a wider range of physical movement is developed within the student's own capabilities, and the use of head, body and arms is increased to develop a greater variety in style. The dance movement vocabulary is increased to encompass more dance steps and required technique.

b. Rhythm

At Pre & Primary levels, the emphasis is on listening to, and being able to keep in time with the music. At the upper levels, the rhythm is developed from the understanding of simple time signatures such as 4/4 and 3/4 to more complicated compositions. At each level there is the opportunity for the student to explore the development of rhythm into movement in their own individual way.

c. Presentation

In the lower levels, the emphasis is on being able to present the syllabus with a natural sense of enjoyment which is gained by developing self-confidence to perform in front of others. As the student progresses through intermediate and advance levels, they have the opportunity to communicate a growing variety of moods through both movement and expression to develop an artistic performance.

 

Creative Dance Ages 2 1/2  - 4 1/2 years

Emphasis on rhythm, movement, coordination, introduction to very basic ballet positions and terms. Occasional special classes include Story Ballets. The student must be able to spend 45 minutes in a structured class.

Warm Up
Ballet and/or Tap
Group Movement - Listening Skills
Showcase Dance
Individual Movements - Locomotive Skills
Dance Combinations
Music
Prop Dance Activity
Reverence
Occasional Special Classes
       Story Ballets

Pre - Ballet - Tap Ages 4 1/2 - 6 years

Elementary ballet positions, rhythm and dance class etiquette is introduced with musical exercises. Occasional special classes include Story Ballets. As for Tap/Jazz, the class is a introduction to basic tap, rhythm steps and free style movements danced to today's music. The student must be able to spend 45 minutes in a structured class.

Ballet

Plies
Tendus
Sautes
Passe
Efface/Crosse 
Grand Battements
Port de Bras
Point Lift
Point Tap
Curtsey
Spring Points
Gallop/ Spring Points
Step close Step Hop 
Little Runs

Tap

Trench 
Shuffle/step/ hop
Toe 
Stamps
Heel
Boogie
Cakewalk
Shuffle b/c
Irish
Flap
Jump out/in
Grapevine
Sugars

Music

Prop Activity Dance

Showcase Dance

 

Primary - Ballet - Tap    Ages 5 1/2  - 7 years

Elementary ballet positions, terms, and ballet class etiquette is introduced including basic dance technique skills. As for Tap/Jazz, the class is an introduction to expanded basic tap and jazz steps danced to today's music. The student must be able to spend 45 minutes in a structured class. 

Ballet

Plies
Rond de jambe a terre
Passe
Tendus
Glisses
Attitude
Grand Battements
Sautes
Port de Bras
Gallop
Pas de cheval
Attitude combo
Head spotting

Hungarian Pas De Bourree
Spring Points
Gallop/ Spring Points
Pas de chats
Jete - petite
Grand Allegro
Step close, Step Hop
Temp leve
Arabesques a terre & en l'air
Grand Walk
Balance - side
Curtsey

Tap

Shuffles - front/side
Shuffle Step/Hop/Ball change
Cross overs
Hop/Jump/Toe
Irish
Cramp rolls
Flap
Maxi fords- no turn
Grapevine
Toe/Heel walks
Brush/hop/step
Flaps - heel
Chugs

 

Jazz    

Jazz, Tap and other classes introduce the student to the contemporary dance movements developed from the dynamics of the American music and theater. Classes in ballet are highly encouraged for those who recognize that a classical background is a necessary ingredient to becoming an accomplished jazz, tap or theatrical dancer.

          Jazz  Elementary

Kicks
Step touch
P/d/bourree
Kick Ball change
Head Spot
Pivots
Grapevine
Step jump together
Chasse
Grand jete - front
Box step

Jazz I

Jazz Walks
P/d/bourree
Kicks
Head Spot
Grapevine
Chasse
Chaines (no arms)
Bicycle

Step touch
Kick Ball change
Pirouette - 11 & up
Pivots
Grand Jete
Pony
Skips
Skip Turns

Jazz II

Pique turns
P/d/bourree turns
Stag jump

Pirouettes (inside/outside)
Attitude turns
Grand jetes (front/second/attitude)

Jazz III

Fouette turns
Arabesque turns
Needle

Second Turns
Barrel turns
Grand jetes (flick/switch)

 

Tap   

Tap, Jazz and other classes introduce the student to the contemporary dance movements developed from the dynamics of the American music and theater. The Tap syllabus follows the Al Gilbert graded tap system. Classes in ballet are highly encouraged for those who recognize that a classical background is a necessary ingredient to becoming an accomplished jazz, tap or theatrical dancer.

Tap Elementary

Irish
Flaps
Cramp rolls
Locomotive
Maxi fords (no turn)
Buffaloes
Waltz Clog

Shuffle Ball/Change
Grapevine
Digs
Flaps - heel /ball change
Off the Log
Toe/heel walks
Simple Time Step

Tap II

Time Steps
Train
Back Essence
Bell Kicks
Brush/hop/step
Maxi fords
Toe Stands

Waltz Clog (no turn)
Buffaloes - doubles
Cincinnati
Draw Backs
Cramp rolls (full turns)
Turns & Pivots
Wings

Tap III

Rifs
Wings
Soft Shoe
Cramp roll with Flap
Waltz Clog - turning
Boomershay

Scuf
Time Steps - various styles
Draw Fronts
Turns & Pivots
Pull Backs
Barrel turns

 

Ballet     Division II & Division III

Classical ballet is the foundation of all theater dance forms. Center Stage’s ballet syllabus takes the best of the French, Italian (Ceccehetti) and English (RAD) systems. The student follows this carefully structured syllabus in accordance with his/her own physical and mental development. Advancement is made by ability and not necessarily by age. It is important to remember that body coordination is learned and some people need more time than others to accomplish the same skill. Because the accomplished ballet dancer performs not only the classics, but modern and contemporary works as well, jazz and tap classes are highly recommended.

Barre

The ballet barre is very important to develop balance, coordination and skill for the steps performed in the centre. Each level exercises at the barre at every class. Depending on which ballet level you are in, the following steps are performed at the barre:

Plies
Tendus
Glisses
Rond de jambe a terre
Fondu
Frappes
Rond de jambe en l’air
Petite Battement
Pirouette
Attitudes
Developpes
Releves
Grand Battements
Grand Battements en cloche
Sautes

Ballet I         

Students may remain in this level for one to two years. Students are required to attend Ballet class once per week. Advancement to Ballet II is based on ability, physicality, and knowledge of basic ballet terms and positions.

Centre

Port de Bra 
Pique - arabesque
Pas de Bouree
Piques - (no turn)
Pas de Basque
Pas de chat
Arabesque - 1st, 2nd, 3rd
Grand Jete
Glissades
Temp leve
Pirouette - third position only
Assemble
Temp lie front / back / second 
Jete ordinaire
Grand Allegro 
Balance - side / front/ back
Grand Walk w/arabesque
Chaines (no arms)

 

Ballet II  

At least one to two years of ballet experience is required. Students are recommended to attend Ballet II two classes per week, though it is not required. Students may stay in Ballet II for 2 to 3 years. Advancement is based on strength, endurance, knowledge of French ballet terms, proper ballet posture and execution of steps at the barre and in the center.

Center   All steps from Ballet I

Port de Bra - alignment
Pirouette - fourth position
Pirouette - inside
Arabesque - combos
Adage - (very simple)
Tour jete
Emboite 
Sissonnes - fermee front only
Bouree
Piques    
     

 

Ballet III      

Students must have two years of serious ballet training. Students are required to attend 2 to 3 classes per week. An emphasis on proper ballet posture, strength, endurance and intermediate level positions are required for this level. A strong commitment and level of maturity is desired. Advancement to pointe is based on an individual evaluation by the teacher and director.

Centre    All steps from Ballet II

Coupe fouettes raccourcis 
Pirouette - combos>
Grand Jete 
Fouette Saute
Grand Pas de Basque
Sissonnes - ouverte & seconde
Entrechat quatre 
Royale
Soutenu

Ballet IV  

Training intensifies with a significant command of the ballet vocabulary along with a greater demand physically. Students are required to attend 3 to 4 classes per week. Students will be asked to dance on pointe for longer durations.

Centre    All steps from Ballet III

Pirouettes - attitude/arabesque
Faillis and tombee
Grand Assemble - avant & arriere
Saut de basque 
Ballonne
Ballotte 
Cabriole
Emboite - turn
Pique - lame duck
Entrechat cinq & trois

Ballet V  

The goal of this level is to nurture and develop dancers with the technical skills and artistry required for a professional career as a dancer and/or preparation for a major/minor in dance at the college level. Students are required to attend 4 to 5 classes per week.

Centre     All steps from Ballet IV

Fouette 
Pirouette a la seconde
Renverse 
Pas de bourree coure
Temps de fleche 
Brise Vole
Jete en tournant 
Temps de cuisse
Tour en l’air 
Brise

 

 

Hip Hop     Division II  &  Division III

Hip Hop is a known "Street Dance" that is high energy, fast pace and non-technical.  Hip Hop is an interpretive dance form choreographed to a funky beat.